Pyramid Atlantic's
other new visiting artist, Nic Jenkins, also completed his bachelor's degree at Arizona State University. Here is the email interview with Nic for
the Pyramid Atlantic blog.
PO: I enjoyed exploring
your website www.nicjenkins.com. Under photogravures, you include
five images of your work. In these pieces, there are places: Las
Palmas motel, landscapes. These photogravures appear to be about the
transformation of place, or about the surprising interplay between
apparently unrelated sites. I felt drawn to the impact of seeing
these works together. Is this something that you think you may
continue to do - make art that is about encountering places that
complement each other in some way?
NJ: I really enjoyed
working on those photogravures and I feel that I have more work to do
with that particular series of landscapes. When I first started
taking photographs I wanted to explore my surroundings. I felt it
necessary to interact with my broader environment: that which
surrounds me and I neglect to acknowledge. Being from Phoenix,
Arizona, that meant the mountains that make up the valley, and the
sprawling surface streets that connect one place to another.
Now that I have made
the D.C. Metro my new home I am very eager to make new photogravures
of this area.
PO: In another series,
Jack and Sara, I believe you explore a period of your parents'
relationship in the past in search of a story that lies beneath the
surface. Instead of passing over certain things, relationships or
landscapes, you pause, show something, and then add other views. I
can't quite put my finger on it, but you seem to want people to
pause, slow down, and consider something right in front of their
eyes. Do you?
NJ: In fact, I would
put myself in the position of the viewer. I believe I have more to
learn from my parents as I age. When I was reproducing these images
from photographs of my parents during their wedding I realized they
were in their late twenties at the time. I explored their lives
through those photographs and tried relating them to mine, imagining
what they were like at my age and the decisions they had made. To be
honest, these, as most of my work, were more for me than anyone else,
although I had the opportunity to exhibit these prints together where
my parents were able to attend.
PO: In terms of your
art, how important is travel to you?
NJ: Travel is very
important to me. When I was younger my parents taught me the value
of traveling and I am always looking for opportunities that take me
somewhere new. My art evolves from this, from what I am doing in my
travels, and what I see. I feel every environment has
characteristics of their own and something new to teach me.
PO: Are there places
you want to visit and do art?
NJ: I am attracted to
many places, in particular: Yellowstone National Park, and Yosemite.
I also want to explore the major cities of the world, and how they
evolve on top of themselves through time.
PO: How did you get
started in art?
NJ: When I began
college I was interested in both art and engineering. My sophomore
year I took a class in printmaking and physics. I was drawn right
away to the hands on and creative approach of printmaking.
PO: Are you thinking of
going on for a master's degree in art? Where would you concentrate you
study?
NJ: I am very
interested in furthering my education. A master's degree in
printmaking has always been in my future plans. But I also think
there is a lot to learn outside of academia, and I believe Pyramid
Atlantic has a lot to teach me about being an artist and connecting
with the community.
PO: What do you teach
at Pyramid Atlantic?
NJ: Currently, I am a
Visiting Artistic Staff Member at Pyramid Atlantic, and I have been
assisting in the Montgomery Housing Project, teaching young kids art
projects. Beyond that I hope to be able to share some of the skills
and techniques with anyone interested.
PO: What are you
working on now?
NJ: Currently I am
working on a few commissions and getting settled at my new home.
With Franc's* help I have found a large interest in woodworking, both
in the practical, i.e. furnishing my house and in the creative. I am
also looking into the possibility in teaching a few classes at
Pyramid, sharing my knowledge in photogravure and mezzotint. I hope
to soon start working on a few woodcuts and monoprints I have had on
my mind.
[*Franc Rosario is
Pyramid Atlantic's Digital Lab and Woodshop Associate. -PO]